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Grateful Dead Live at Community War Memorial Auditorium on 1983-04-15




Set 1

Shakedown Street
My Brother Esau
Brown Eyed Women
Little Red Rooster
Dire Wolf
Lazy Lightnin' ->
Supplication ->
Deal

Set 2

Feel Like A Stranger
Samson And Delilah
Ship Of Fools
Maybe You Know
He's Gone ->
Bob Star () ->
Drums ->
Space ->
Throwing Stones ->
Not Fade Away ->
Goin' Down The Road Feeling Bad ->
Around And Around ->
Johnny B. Goode

Encore
It's All Over Now, Baby Blue


3 - My Brother Esau
[MusicBrainz (recording)]
5 - Little Red Rooster
[MusicBrainz (recording)]
8 - Supplication ->
[MusicBrainz (recording)]
10 - Tuning
[MusicBrainz (recording)]
15 - He's Gone >
[MusicBrainz (recording)]
20 - Not Fade Away >
[MusicBrainz (recording)]
Collection GratefulDead
Band/Artist Grateful Dead
Venue Community War Memorial Auditorium
Location Rochester, NY

Source (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II)
Lineage Cassette Master (Namamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/24
Taped by Charlie Miller
Transferred by Charlie Miller

Notes

-- Set 2 is seamless
-- This is a 24-bit recording, 16-bit version also circulates
-- Recorded 15 feet in front of sbd, about 10 feet to the right
-- This was the first Grateful Dead show I taped
-- Patch source was slightly EQ'd to better match my tape
-- Unpatched cut during first few seconds of Around And Around

Reviews

Reviewer: HEATERBELTS - - May 21, 2009
Subject: belts
good recording, fair show
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Source: Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
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Source: source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Grateful Dead
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Grateful Dead
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Source: AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, with no Dolby. Set up to the right (stage left) of the SBD.
Grateful Dead
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1,900
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Source: nak 300 mics > sony d-6 > mac
Grateful Dead
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135
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Source: Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
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Source: Set 1 Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB;
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Source: Source:Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-WE325 Home Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac. Taped By Boeditaper
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Source: Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII 90)
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( 1 reviews )
Source: Master Audience Recorded By Mr. Darby; AKGC460B/A60/CK1's (PAS/DFC/First Row OTS/6 Feet High)> Uher340>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo